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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Rule
Writing
Pages
Work
Later
Really
Sense
Hack
Make
Around
Hacks
Things
Seems
Allowing
Back
Unconscious
Page
Best

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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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The wine glasses are empty except for that one undrinkable red spot at the bottom.
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Language is the ticket to plot and character, after all, because both are built out of language.
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I felt the crumpled paper that had taken the place of my lungs expand as if released from a fist.
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I knew if I ate anything of hers again, it would lkely tell me the same message: help me, I am not happy, help me -- like a message in a bottle sent in each meal to the eater, and I got it. I got the message.
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I want to be violated by insight.
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…kissing George was a little like rolling in caramel after spending years surviving off rice sticks.
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That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in. Nobody cooked that burger.
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I give boring people something to discuss over corn.
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You can ruin anything if you focus at it.
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Not getting bored of my own story and/or character is one of the main struggles I have had with novel writing, and I have put to bed big chunks of work that just didn't sustain my interest.
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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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My genes, my love, are rubber bands and rope make yourself a structure you can live inside. Amen. — Aimee Bender (Willful Creatures: Stories)
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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
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You try, you seem totally nuts, you go underground.
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But I loved George in part because he believed me because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
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I could feel the tears beginning to collect in my throat again, but I pushed them apart, away from each other. Tears are only a threat in groups.
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