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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Back
Unconscious
Best
Page
Writing
Rule
Pages
Work
Later
Really
Sense
Hack
Make
Around
Hacks
Things
Seems
Allowing

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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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We're all getting too smart. Our brains are just getting bigger and bigger, and the world dries up and dies when there's too much thought and not enough heart.
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There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.
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Language is the ticket to plot and character, after all, because both are built out of language.
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But the sky is interesting, it changes all the time.
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
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My eyelids are my own private cave, he murmured. That I can go to anytime I want.
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You can ruin anything if you focus at it.
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It seemed to happen in springs, the revealing of things.
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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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Light is good company, when alone I took my comfort where I found it, and the warmest yellow bulb in the living-room lamp had become a kind of radiant babysitter all its own.
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It was like we were exchanging codes, on how to be a father and a daughter, like we'd read about it in a manual, translated from another language, and were doing our best with what we could understand.
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I felt the crumpled paper that had taken the place of my lungs expand as if released from a fist.
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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
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My lover is experiencing reverse evolution.
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I am the drying meadow you the unspoken apology he is the fluctuating distance between mother and son she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope make yourself a structure you can live inside. Amen.
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I don't think so, I don't agree. The most unbearable thing I think by far, she said, is hope.
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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
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...a Dorito asks nothing of you, which is its great gift. It only asks that you are not there.
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Not getting bored of my own story and/or character is one of the main struggles I have had with novel writing, and I have put to bed big chunks of work that just didn't sustain my interest.
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