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Not getting bored of my own story and/or character is one of the main struggles I have had with novel writing, and I have put to bed big chunks of work that just didn't sustain my interest.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Bigs
Bored
Didn
Main
Stories
Bed
Character
Novel
Writing
Struggle
Work
Getting
Chunks
Story
Struggles
Interest
Sustain

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The writing I tend to think of as 'good' is good because it's mysterious.
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To see someone you love, in a bad setting, is one of the great barometers of gratitude.
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But the sky is interesting, it changes all the time.
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My lover is experiencing reverse evolution.
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There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.
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…kissing George was a little like rolling in caramel after spending years surviving off rice sticks.
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I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
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...a Dorito asks nothing of you, which is its great gift. It only asks that you are not there.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.
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I give boring people something to discuss over corn.
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We're all getting too smart. Our brains are just getting bigger and bigger, and the world dries up and dies when there's too much thought and not enough heart.
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I was with them for all of it, but more like an echo than a participant.
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I want to be violated by insight.
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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
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While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.
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I could feel the tears beginning to collect in my throat again, but I pushed them apart, away from each other. Tears are only a threat in groups.
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Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn't appreciate getting to know it all so strong and early.
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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.
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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
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