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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
Aimee Bender
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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Right
World
Sidewalk
Wished
Dropped
Street
Streets
Hands
Whole
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I was with them for all of it, but more like an echo than a participant.
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But I loved George in part because he believed me because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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and I get refill number three or four and the wine is making my bones loose and it's giving my hair a red sheen and my breasts are blooming and my eyes feel sultry and wise and the dress is water.
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We're all getting too smart. Our brains are just getting bigger and bigger, and the world dries up and dies when there's too much thought and not enough heart.
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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I felt the crumpled paper that had taken the place of my lungs expand as if released from a fist.
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I like birthday cake. It's so symbolic. It's a tempting symbol to load with something more complicated than just 'Happy birthday!' because it's this emblem of childhood and a happy day.
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The writing I tend to think of as 'good' is good because it's mysterious.
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I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
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While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.
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But the sky is interesting, it changes all the time.
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The wine glasses are empty except for that one undrinkable red spot at the bottom.
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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.
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It seemed to happen in springs, the revealing of things.
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My lover is experiencing reverse evolution.
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