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I was with them for all of it, but more like an echo than a participant.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Participant
Echo
Participants
Echoes
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More quotes by Aimee Bender

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You try, you seem totally nuts, you go underground.
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I want to be violated by insight.
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You can ruin anything if you focus at it.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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My eyelids are my own private cave, he murmured. That I can go to anytime I want.
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But the sky is interesting, it changes all the time.
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I could feel the tears beginning to collect in my throat again, but I pushed them apart, away from each other. Tears are only a threat in groups.
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You're the perfect girl', he said, rubbing his chin. 'You expect nothing.
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As a writer you ask yourself to dream while awake.
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I watched as she added a question mark at the end. Arc, line, space, dot.
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We're all getting too smart. Our brains are just getting bigger and bigger, and the world dries up and dies when there's too much thought and not enough heart.
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I am the drying meadow you the unspoken apology he is the fluctuating distance between mother and son she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope make yourself a structure you can live inside. Amen.
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My genes, my love, are rubber bands and rope make yourself a structure you can live inside. Amen. — Aimee Bender (Willful Creatures: Stories)
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
Aimee Bender
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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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It seemed to happen in springs, the revealing of things.
Aimee Bender
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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.
Aimee Bender
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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
Aimee Bender