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To see someone you love, in a bad setting, is one of the great barometers of gratitude.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Someone
Great
Love
Barometer
Settings
Setting
Gratitude

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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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We hit the sidewalk, and dropped hands. How I wished, right then, that the whole world was a street.
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I felt the crumpled paper that had taken the place of my lungs expand as if released from a fist.
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The writing I tend to think of as 'good' is good because it's mysterious.
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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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It is so often surprising, who rescues you at your lowest moments.
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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
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That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in. Nobody cooked that burger.
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I could feel the tears beginning to collect in my throat again, but I pushed them apart, away from each other. Tears are only a threat in groups.
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But I loved George in part because he believed me because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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My lover is experiencing reverse evolution.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
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I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
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Mom loved my brother more. Not that she didn't love me - I felt the wash of her love every day, pouring over me, but it was a different kind, siphoned from a different, and tamer, body of water. I was her darling daughter Joseph was her it.
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Mom flipped through the magazines like the pages needed to be slapped.
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Language is the ticket to plot and character, after all, because both are built out of language.
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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.
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While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.
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