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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.

Aimee Bender

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Aimee Bender
Age: 55
Born: 1969
Born: June 28
Novelist
Writer
the United States of America
Hand
Windows
Dark
Revealed
Living
Apartment
Hands
Wide
Reds
Love
Window
Peering
Looked
Rushes
Rooms
Painted
Building
Buildings

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As a writer you ask yourself to dream while awake.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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Language is the ticket to plot and character, after all, because both are built out of language.
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I want to be violated by insight.
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
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But the sky is interesting, it changes all the time.
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…kissing George was a little like rolling in caramel after spending years surviving off rice sticks.
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It is so often surprising, who rescues you at your lowest moments.
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My lover is experiencing reverse evolution.
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There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.
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I could feel the tears beginning to collect in my throat again, but I pushed them apart, away from each other. Tears are only a threat in groups.
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...a Dorito asks nothing of you, which is its great gift. It only asks that you are not there.
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I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
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It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
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I am the drying meadow you the unspoken apology he is the fluctuating distance between mother and son she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope make yourself a structure you can live inside. Amen.
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When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing it's rejuvenating.
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I'm obsessed with adolescence. I love to write about people in their 20s. It's such a fraught and exciting and kind of horrible time.
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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.
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You can ruin anything if you focus at it.
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