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The Internet has established a public sphere and developed a pressure which the government can no longer ignore.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Pressure
Internet
Longer
Public
Sphere
Government
Spheres
Established
Ignore
Developed
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I can still wake up the next day and feel that there's something that needs to be done, which always amuses me.
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Our lives are bound by physical limits, familial ties, political conditions, and geographical restrictions. Individual freedom takes us beyond them all.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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Creativity is the power to act.
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I want people to see their own power.
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When human beings are scared and feel everything is exposed to the government, we will censor ourselves from free thinking. That's dangerous for human development.
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I always admire writers. My father was a writer, a poet. I always admire people who can clearly state their mind.
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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Imagine one day, the hateful world around you collapses. And it is your attitude, words and actions that put an end to it. Will you be excited?
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I wouldn’t say I’ve become more radical: I was born radical.
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I don't think there is a distinct change, because in the West I'm not a person who can serve his purpose.
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China is at a different stage of development, human rights are violated here much more often. And still, we see improvements even here.
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I don’t want the next generation to fight the same fight as I did.
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My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
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The society was so different [in China] - it was a feudalistic society. It didn't come to a point of industrial revolution until twenty years ago.
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I don't think [price] reflects if the work is good or bad.A good artist shouldn't be nervous about that.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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