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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Best
Made
Believe
Herzog
Collaboration
Firm
Architecture
Product
Products
More quotes by Ai Weiwei
Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
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We are living in a popular culture where everything is overexposed.
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Growing up, my family was an enemy of the state. I have experienced more disappointment than joy, much more sad stories or desperate conditions.
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Because Chinese art is booming, it legitimizes this profession.
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I don't think I was very structured in that society and I don't really believe in personal success, which most Americans believe in.
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When I first got into the first-year study after the Cultural Revolution, got into the same school with this group, I wasn't conscious of the so-called Fifth Generation. I didn't like that kind of study condition because there's no real, true education there.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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Man has a tendency to try to give clear reasons to be rational, but often you can see how all those reasons are not convincing and turn out to be a big nonsense.
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In a society that restricts individual freedoms and violates human rights, anything that calls itself creative or independent is a pretence. It is impossible for a totalitarian society to create anything with passion and imagination.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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Measuring national prestige by gold medals is like using Viagra to judge the potency of a man.
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To give a price to an artwork, no matter how high or low, is always absurd. It's not something that can be measured by money or by certain numbers.
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Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
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As a human being, member of society, you must clearly state your mind. It's a responsibility. It is the way you identify yourself otherwise you don't know who you are and why you are here.
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The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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Being an artist is more of a mindset, a way of seeing things it is no longer so much about producing something.
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I think art is a very important weapon to achieve human freedom
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It's always nice to share your energy with young people, the people who might not have any skills but are simply willing to be a part of it.
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As a total activity - I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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