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Destroy or build. Crazy or noncrazy. I'm not nostalgic about the old city. I don't enjoy it that much.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Cities
Crazy
Enjoy
Much
Nostalgic
Destroy
Build
City
More quotes by Ai Weiwei
The [China] government has improved in the last years. Of course, the structure is still the same there's still a one-party system and strong censorship.
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At the moment about 350,000 students return to China from abroad each year - 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me. These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
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Each year, more people want to become artists.
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The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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To express yourself needs a reason, but expressing yourself is the reason.
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Your own acts tell the world who you are and what kind of society you think it should be.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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New York has given me a lot, but I still don't consider it home.
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Creativity is the power to act.
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If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I'm saying is common sense. It's very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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By participating in the society we live in, we understand our conditions and the way we relate to the world.
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The United States is a melting pot. Like John F. Kennedy said, it's a nation of immigrants. But Donald Trump wants to build a fence that clearly makes the statement: You and I are divided. We're different, and you're dangerous. That kind of thinking stops human, civilized evolution. It's dangerous to create that kind of tension.
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There are many cases and layers of racist behavior in the US - from police treatment to the issues of education and job opportunities. In America, however, such cases are being discussed publically.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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Our lives are bound by physical limits, familial ties, political conditions, and geographical restrictions. Individual freedom takes us beyond them all.
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I don't think China should care if this crazy old guy should have a show here or not. You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it's empty.
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I have to find a place for my own. I have to search for my own happiness.
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I don’t want the next generation to fight the same fight as I did.
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Once you've tasted freedom, it stays in your heart...
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I don't think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism. And the kind of condition he had when he was in this society - the kind of mistreatment society gave him.
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