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We grew up in a very material-lacking socialist society, but today China is a capitalist society. It's very materialistic. It's full of desire and luxury goods.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Full
Socialist
Society
Capitalist
Desire
Goods
Today
Luxury
Material
China
Materials
Materialistic
Grew
Lacking
More quotes by Ai Weiwei
To express yourself needs a reason, but expressing yourself is the reason.
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I don't think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism. And the kind of condition he had when he was in this society - the kind of mistreatment society gave him.
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No outdoor sports can be more elegant than throwing stones at autocracy no melees can be more exciting than those in cyberspace.
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The media is the message. It carries the full intention and the meaning. Once you change it...it's very disturbing.
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Technology is a liberation. I think the information age probably is the best thing to happen to the human race in human evolution. Now you have the equal opportunity to equip yourself through information and knowledge and express yourself as an independent mind.
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China partially wants to become part of the world. By hosting the Olympics and the Expo, they made a big effort to tell people: Look, we are the same. They want to be accepted by the international community.
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The whole Chinese system - not just the political leadership, the military too, the whole power structure, our education system, the whole of society - is suffering from being cut off from the free flow of information. That's why the country can't face up to open competition - unless it resorts to measures like North Korea.
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In the end, I think, the state's rigidity is a function of its own insecurity, its indecisiveness.
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[Shanghai Biennale] has been my attitude for as long as I've been practicing art and other cultural-related activities.
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Society becomes very destructive.
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I think we cannot have a double standard. We cannot see our art as different from the reality. We cannot use two different sets of judgment.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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To give a price to an artwork, no matter how high or low, is always absurd. It's not something that can be measured by money or by certain numbers.
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The world is not changing if you don’t shoulder the burden of responsibility.
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Maybe [success] is because I'm in China and I'm more open. Maybe it's my independent behavior, or because I participated in certain projects. I have no idea.
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So-called Chinese art and culture is under control of the Party. They exist to serve the official agenda. I call it fake art and culture.
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That's why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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I grew up in a desert, which has no kind of imagination.
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I'm totally independent. I don't bear any responsibility to any system.
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