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Even if I have hundreds of things to do, the disconnected feeling is still there because it is very hard to find a real purpose of life.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Things
Purpose
Life
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Still
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Hard
Disconnected
Real
Hundreds
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I never regret anything.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that's the true crime.
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I will never leave China, unless I am forced to. Because China is mine. I will not leave something that belongs to me in the hands of people I do not trust.
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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I always want people to be confused, to be shocked or realize something later.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.
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These are nonviolent people who have lost their freedom simply because they expressed their ideas….In truth, they are heroes of our time.
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My mother became much older when I came out (ed's note: of detention). She had problems with her hearing and high blood pressure. But they still support me.
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China seems unpredictable because it has a distinct culture and social system. It is still a mystery to other parts of the world, even though the veil of China has been lifted many times as a result of globalization.
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In an environment without public platform nor protection, the individual is the most powerful and most responsible.
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Artists are the worst [people]. They are selfish, self-centred they don't care what happens.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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We should use this public sphere and redefine - beyond China's borders - what a government is allowed to do, where its powers end and where the realm of a citizen's privacy begins.
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Chinese citizens have never had the right to really express their opinions in the constitution it says you can, but in the real world it is more dangerous. In the west people think it's a right they're born with. Here it's a right given by the government, and one that's not really practised.
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The relationship between the Chinese government and me is like a Cold War.
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China is an old nation with a colourful history. Its booming economy has triggered an appetite and a curiosity around the world for its art and culture, one that continues to grow. I can, however, tell people that it is a show with no actor.
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I think art is a very important weapon to achieve human freedom
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My situation gives me certain ideas about beauty or the excitement of life, but that doesn't mean other people can necessarily appreciate it.
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