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Even if I have hundreds of things to do, the disconnected feeling is still there because it is very hard to find a real purpose of life.

Ai Weiwei

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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Real
Hundreds
Even
Feeling
Things
Purpose
Life
Feelings
Stills
Still
Find
Hard
Disconnected

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Hopefully, other successes aren't like me. It carries much more meaning to other people my success story is irrelevant. It doesn't make any sense.
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China restricts the society's freedom of speech. The Communist Party imposes these limits because it lacks confidence towards the future and has no ideals. Nowadays, China is experiencing the detrimental effects of such decisions. Its citizens have no creativity.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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Liberty is about the right to question everything.
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I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
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Expressing oneself is like a drug. I'm so addicted to it.
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China partially wants to become part of the world. By hosting the Olympics and the Expo, they made a big effort to tell people: Look, we are the same. They want to be accepted by the international community.
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All the auction houses care about is the selling of luxury goods.
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I don't think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism. And the kind of condition he had when he was in this society - the kind of mistreatment society gave him.
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Mass production is nothing new. Weren't cathedrals built through mass production? The pyramids?... Paintings can be painted with the left hand, the right hand, someone else's hand, or many people's hands. The scale of production is irrelevant to its content.
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I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.
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My angst and my insecurity reflect the state's angst and insecurity. The state is scared too.
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I'm always interested in people who are not orientated in art circles to become part of it.
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As a human being, member of society, you must clearly state your mind. It's a responsibility. It is the way you identify yourself otherwise you don't know who you are and why you are here.
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We grew up in a very material-lacking socialist society, but today China is a capitalist society. It's very materialistic. It's full of desire and luxury goods.
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Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don't think art is elite or mysterious.
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If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I'm saying is common sense. It's very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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I don't believe in a sense of home.
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I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
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I think of art as coming from daily life, daily experience. I think it's very important not to have it become work for some kind of elite circle.
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