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Even if I have hundreds of things to do, the disconnected feeling is still there because it is very hard to find a real purpose of life.

Ai Weiwei

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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Hard
Disconnected
Real
Hundreds
Even
Feeling
Things
Purpose
Life
Feelings
Stills
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More quotes by Ai Weiwei

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If a nation cannot face its past, it has no future.
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I think the pearls - one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl - really show a kind of [society] condition.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.
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I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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Everyone of us is a potential convict.
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Because Great Britain has self-confidence, it doesn't need a monumental Olympics.
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Modern Chinese culture is weak and lackluster.
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The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
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The whole attitude of society has become much more open and realistic. They realize that the only way to make a more democratic and free society is to let different opinions come out.
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It's always nice to share your energy with young people, the people who might not have any skills but are simply willing to be a part of it.
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It is not an easy job to govern China, I am aware of that.
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A city is a place that can offer maximum freedom. Otherwise it’s incomplete.
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I think U.S. and China is a big opportunity, to be seen as partner or some kind of strategic partner maybe. But those kind of powers have a way of getting too big, then we'll have competition. And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would've lost the ground to win.
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New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
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I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
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To survive, China had to open up to the West. It could not survive otherwise. This was after many millions have died of hunger in a country that was like North Korea is today. Once we became part of global competition, we had to agree to some rules. It's painful, but we had to. Otherwise there was no way to survive.
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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
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Whenever there is injustice, there is tension. But in China it is very hard to release your anger unless you burn yourself or you jump from a bridge. In a society where there is no freedom of the press, it is difficult for victims to be noticed.
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It [success] is really by mistake.
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