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If I look at it, I would laugh. I don't know how I became successful.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
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Laugh
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More quotes by Ai Weiwei
It's always nice to share your energy with young people, the people who might not have any skills but are simply willing to be a part of it.
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We live in changing times, and many people experience the challenges that come with it. In the face of uncertain futures, no one will know what to expect.
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China partially wants to become part of the world. By hosting the Olympics and the Expo, they made a big effort to tell people: Look, we are the same. They want to be accepted by the international community.
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Self-censorship is insulting to the self. Timidity is a hopeless way forward.
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You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
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Say what you say plainly, and then take responsibility for it.
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[Being unique] gives so much privilege to people who can make it, rather than having some moral and aesthetic discussions.
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I call on people to be 'obsessed citizens,' forever questioning and asking for accountability. That's the only chance we have today of a healthy and happy life.
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You can never know what is and what is not powerful, but you can always find out what the powerful people are scared of. A state like China looks so powerful, but they are so scared of the Internet, so the Internet is more powerful than them.
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Today, we jump into this globalization of the economy and the internet age.
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My understanding of Chinese history is limited. So far, I have only scratched its surface I wish I could find out more.
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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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The society was so different [in China] - it was a feudalistic society. It didn't come to a point of industrial revolution until twenty years ago.
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Maybe being powerful means to be fragile.
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Now many enterprises are made by individuals, so the attitude has started to change.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that's the true crime.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
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All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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