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New York was not a romantic city at [80th]. Nobody knows who you are and you don't have to care about anybody else. It's a very cold city, I should say.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Nobody
Cold
Cities
Else
Care
Romantic
York
Anybody
City
More quotes by Ai Weiwei
New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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Destroy or build. Crazy or noncrazy. I'm not nostalgic about the old city. I don't enjoy it that much.
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We see the tendency in the world to criticise democracy and sometimes even to say that authoritarian countries like China are more efficient. That is very short-sighted. China looks efficient only because it can sacrifice most people's rights. This is not something the west should be happy about.
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When human beings are scared and feel everything is exposed to the government, we will censor ourselves from free thinking. That's dangerous for human development.
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I'm most embarrassed at my art shows, even though I don't show it.
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It's always the rich and there's plenty to waste, yet still China has a lot of people living in very spare, poor conditions.
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The United States is a melting pot. Like John F. Kennedy said, it's a nation of immigrants. But Donald Trump wants to build a fence that clearly makes the statement: You and I are divided. We're different, and you're dangerous. That kind of thinking stops human, civilized evolution. It's dangerous to create that kind of tension.
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No outdoor sports can be more elegant than throwing stones at autocracy no melees can be more exciting than those in cyberspace.
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The relationship between the Chinese government and me is like a Cold War.
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Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.
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Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
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I spend a lot of time talking to journalists.
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Modern Chinese culture is weak and lackluster.
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I often feel more disgust than pride about this kind of success. So there's no regret whatsoever.
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I never really read Allen Ginsberg poetry, even though I have a book he gave me.
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Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don't think art is elite or mysterious.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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I think art is a very important weapon to achieve human freedom
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I don’t want the next generation to fight the same fight as I did.
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