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To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
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Woman
Artist
Reflects
Certain
African
Kind
Chinese
Condition
Necessary
Conditions
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Everything is art. Everything is politics.
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In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.
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By participating in the society we live in, we understand our conditions and the way we relate to the world.
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I never really read Allen Ginsberg poetry, even though I have a book he gave me.
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Censorship is saying: I'm the one who says the last sentence. Whatever you say, the conclusion is mine. But the internet is like a tree that is growing. The people will always have the last word β even if someone has a very weak, quiet voice. Such power will collapse because of a whisper.
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Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
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My musician friends are banned from playing concerts in China because they share the same views as I do. My name cannot appear on the web, because my opinion is different from the Party.
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For years, I refused to go to any openings, not even my own.
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It became like a symbolic thing, to be βan artist.β After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
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No matter what happens, nothing can prevent the historical process by which society demands freedom and democracy.
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...photographs are facts, but not necessarily true... The present always surpasses the past, and the future will not care about today.
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The Internet has established a public sphere and developed a pressure which the government can no longer ignore.
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It's as simple as that.
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China is an old nation with a colourful history. Its booming economy has triggered an appetite and a curiosity around the world for its art and culture, one that continues to grow. I can, however, tell people that it is a show with no actor.
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It is not an easy job to govern China, I am aware of that. There are crises and emergencies all the time, we might not even be aware of some. But I am afraid we'll have to wait and observe precisely what the government is up to.
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I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is OK, to speak out.
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I'm most embarrassed at my art shows, even though I don't show it.
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China spends a lot of resources and effort on gaining soft power over culture. The hope is that it can be the last lifeline for the Party's survival. Obviously, the idea will fail.
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[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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