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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Really
Understanding
Central
Make
Culture
Raised
Good
Next
Judgment
Become
Safe
Power
Level
Government
Nobody
Everything
Higher
Selected
Without
Levels
Maintain
More quotes by Ai Weiwei
All the auction houses care about is the selling of luxury goods.
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My work is always a ready-made... cultural, political, or social, and also it could be art - to make people re-look at what we have done, its original position, to create new possibilities.
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China has a rich history that has spanned millennia. It consists of the histories of many nations and regions.
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Without freedom of speech, there is no modern world, just a barbaric one.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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Life is never guaranteed to be safe, so we better use it while we are still in good condition.
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I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.
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People have a tendency to become elite rather than to care about the general conditions of the society, which makes me sick. It's an unbearable condition.
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China hasn't only existed for one day. Now, the whole nation has become richer and it's become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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If there's the right condition, I always want to express the concept or ideas in a very independent way.
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I'm not nostalgic about the old city. I don't enjoy it that much. It was just a city with one emperor and the rest of them just rats or meaningless people.
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Being an artist is more of a mindset, a way of seeing things it is no longer so much about producing something.
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In an environment without public platform nor protection, the individual is the most powerful and most responsible.
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My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
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I call on people to be 'obsessed citizens,' forever questioning and asking for accountability. That's the only chance we have today of a healthy and happy life.
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The society was so different [in China] - it was a feudalistic society. It didn't come to a point of industrial revolution until twenty years ago.
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It is not an easy job to govern China, I am aware of that. There are crises and emergencies all the time, we might not even be aware of some. But I am afraid we'll have to wait and observe precisely what the government is up to.
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Expressing oneself is like a drug. I'm so addicted to it.
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I think U.S. and China is a big opportunity, to be seen as partner or some kind of strategic partner maybe. But those kind of powers have a way of getting too big, then we'll have competition. And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would've lost the ground to win.
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