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[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.

Ai Weiwei

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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Culture
Bureaucratic
Care
Affairs
Nothing
Cultural
Department
Affair
Daily
Understand

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No outdoor sports can be more elegant than throwing stones at autocracy no melees can be more exciting than those in cyberspace.
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China seems unpredictable because it has a distinct culture and social system. It is still a mystery to other parts of the world, even though the veil of China has been lifted many times as a result of globalization.
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This week, the world gathers in Beijing for the 2008 Olympic games. This is the extraordinary moment China has been dreaming of for 100 years. People have been longing for this moment, because it symbolises a turning point in China's relationship with the outside world.
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I wouldn’t say I’ve become more radical: I was born radical.
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A small act is worth a million thoughts.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that's the true crime.
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A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
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My understanding of Chinese history is limited. So far, I have only scratched its surface I wish I could find out more.
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For all the tough talk about China during the presidential debates, Romney and Obama evaded any mention of China's suspect human rights record, corruption, and rule of law. By not tackling these controversial topics, the candidates are protecting a strategic partnership with China at the expense of essential human values and beliefs.
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When human beings are scared and feel everything is exposed to the government, we will censor ourselves from free thinking. That's dangerous for human development.
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My mother became much older when I came out (ed's note: of detention). She had problems with her hearing and high blood pressure. But they still support me.
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Many people are going to use [Beijing National Stadium], which makes it more meaningful. If we don't design it, somebody else has to design it.
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Beijing is constructing a 100,000 m2 modern art museum, yet it will not feature any of my work.
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I think art certainly is the vehicle for us to develop any new ideas, to be creative, to extend our imagination, to change the current conditions.
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I never had secure, belonging feelings with this society [in China].
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Everyone of us is a potential convict.
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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Twitter is most suitable for me. In the Chinese language, 140 characters is a novella.
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I'm most embarrassed at my art shows, even though I don't show it.
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In the '80s, you couldn't walk in the neighborhood without looking back to see if anyone was following you. You had your key in your hand before you got to your apartment and you'd rush in so you didn't have to stop.
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