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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Cultural
Department
Biggest
World
Museums
Belongs
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I spend a lot of time talking to journalists.
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[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.
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Today, the general masses in this society are in this political-social condition that really encourages people to become rich and become a star and be unique.
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Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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I think optimism is whether you are still exhilarated by life, whether you are curious, whether you still believe there is possibility.
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Our lives are bound by physical limits, familial ties, political conditions, and geographical restrictions. Individual freedom takes us beyond them all.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
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The media is the message. It carries the full intention and the meaning. Once you change it...it's very disturbing.
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I think we cannot have a double standard. We cannot see our art as different from the reality. We cannot use two different sets of judgment.
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I don't belong to a working system. They only select people if you belong to one so you can be controlled.
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I think by shattering it we can create a new form, a new way to look at what is valuable — how we decide what is valuable.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.
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I think of art as coming from daily life, daily experience. I think it's very important not to have it become work for some kind of elite circle.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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It's really rubbish that some kind of technical learning means you will be a better person because you know this skill better.
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Anyone fighting for freedom does not want to totally lose their freedom.
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Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.
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Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true.
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In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.
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We move so fast that memory is something we can only grasp
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