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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
World
Museums
Belongs
Cultural
Department
Biggest
More quotes by Ai Weiwei
We grew up in a very material-lacking socialist society, but today China is a capitalist society. It's very materialistic. It's full of desire and luxury goods.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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That's why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It's as simple as that.
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No matter what happens, nothing can prevent the historical process by which society demands freedom and democracy.
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There are many cases and layers of racist behavior in the US - from police treatment to the issues of education and job opportunities. In America, however, such cases are being discussed publically.
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The rest of the world understands little about China's changes and the possibilities and crises that come with them.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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I hope that my work expresses my worldview and encourages people to exchange ideas.
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I think U.S. and China is a big opportunity, to be seen as partner or some kind of strategic partner maybe. But those kind of powers have a way of getting too big, then we'll have competition. And who is going to win the competition if U.S. cannot hold a strong ideology? And even the U.S. would've lost the ground to win.
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China and the U.S. are two societies with very different attitudes towards opinion and criticism. In China, I am constantly under surveillance. Even my slightest, most innocuous move can - and often is - censored by Chinese authorities.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.
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It is not an easy job to govern China, I am aware of that. There are crises and emergencies all the time, we might not even be aware of some. But I am afraid we'll have to wait and observe precisely what the government is up to.
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In the end, I think, the state's rigidity is a function of its own insecurity, its indecisiveness.
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Mass production is nothing new. Weren't cathedrals built through mass production? The pyramids?... Paintings can be painted with the left hand, the right hand, someone else's hand, or many people's hands. The scale of production is irrelevant to its content.
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For all the tough talk about China during the presidential debates, Romney and Obama evaded any mention of China's suspect human rights record, corruption, and rule of law. By not tackling these controversial topics, the candidates are protecting a strategic partnership with China at the expense of essential human values and beliefs.
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Historically, China is not a nation of sportsmen. We traditionally put more emphasis on being close to nature than pushing endlessly to excel. A philosophy that values tranquil contemplation of the landscape cannot easily be adapted to the Olympic slogan of 'higher, stronger, faster.'
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