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Modern Chinese culture is weak and lackluster.

Ai Weiwei

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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Modern
Culture
Chinese
Weak

More quotes by Ai Weiwei

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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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So-called Chinese art and culture is under control of the Party. They exist to serve the official agenda. I call it fake art and culture.
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The Internet has established a public sphere and developed a pressure which the government can no longer ignore.
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You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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All movies in China are censored. Out of 600 movies produced in China, only 60 are allowed to show in theatres.
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In the '80s, you couldn't walk in the neighborhood without looking back to see if anyone was following you. You had your key in your hand before you got to your apartment and you'd rush in so you didn't have to stop.
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I came back [to Beijing ] because that's the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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Our lives are bound by physical limits, familial ties, political conditions, and geographical restrictions. Individual freedom takes us beyond them all.
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The art always wins. Anything can happen to me, but the art will stay.
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Society becomes very destructive.
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The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that's all I know.
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Any design, any city, any kind of craziness or tragedy, it all comes from a long time of preparation.
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My work is always a ready-made... cultural, political, or social, and also it could be art - to make people re-look at what we have done, its original position, to create new possibilities.
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People have a tendency to become elite rather than to care about the general conditions of the society, which makes me sick. It's an unbearable condition.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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I'm always interested in people who are not orientated in art circles to become part of it.
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I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
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I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.
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[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.
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