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China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
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Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
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More quotes by Ai Weiwei
The American experience influenced my understanding of individuality, basic human rights, freedom of expression and the rights and responsibilities of citizens.
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The purpose of art is the fight for freedom.
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Growing up, my family was an enemy of the state. I have experienced more disappointment than joy, much more sad stories or desperate conditions.
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Dictatorship is a story about death of others who turn out to be you coincidently.
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Life is never guaranteed to be safe, so we better use it while we are still in good condition.
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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Censorship is saying: I'm the one who says the last sentence. Whatever you say, the conclusion is mine. But the internet is like a tree that is growing. The people will always have the last word – even if someone has a very weak, quiet voice. Such power will collapse because of a whisper.
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China has not established the rule of law and if there is a power above the law there is no social justice. Everybody can be subjected to harm. I'm just a citizen: my life is equal in value to any other. But I'm thankful that when I lost my freedom so many people shared feelings and put such touching effort into helping me.
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If a society cannot even support somebody like me, then people ask: Who is under protection then? That's why there is such support for me. It is not because I am so beautiful or I am so charming. People feel: This guy is fighting for us.
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My understanding of Chinese history is limited. So far, I have only scratched its surface I wish I could find out more.
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I'm most embarrassed at my art shows, even though I don't show it.
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Individual that means he has his own special way to communicate, which creates the form of him. In the information age, this expression and communication has become so different.
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I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.
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It's always the rich and there's plenty to waste, yet still China has a lot of people living in very spare, poor conditions.
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Even if there have been setbacks during these past years, China is changing. China's society is opening.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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At the moment about 350,000 students return to China from abroad each year - 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me. These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
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Being an artist is more of a mindset, a way of seeing things it is no longer so much about producing something.
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Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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