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China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
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Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
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More quotes by Ai Weiwei
[Being unique] gives so much privilege to people who can make it, rather than having some moral and aesthetic discussions.
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These are nonviolent people who have lost their freedom simply because they expressed their ideas….In truth, they are heroes of our time.
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When I first got into the first-year study after the Cultural Revolution, got into the same school with this group, I wasn't conscious of the so-called Fifth Generation. I didn't like that kind of study condition because there's no real, true education there.
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We see the tendency in the world to criticise democracy and sometimes even to say that authoritarian countries like China are more efficient. That is very short-sighted. China looks efficient only because it can sacrifice most people's rights. This is not something the west should be happy about.
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My angst and my insecurity reflect the state's angst and insecurity. The state is scared too.
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I think we cannot have a double standard. We cannot see our art as different from the reality. We cannot use two different sets of judgment.
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Society becomes very destructive.
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It [success] is really by mistake.
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It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
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Life is art. Art is life. I never separate it.
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Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don't think art is elite or mysterious.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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What is important is that we actively express our thoughts and wishes, in every realm that we can access.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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Creativity is the power to reject the past, to change the status quo, and to seek new potential. Simply put, aside from using one's imagination - perhaps more importantly - creativity is the power to act.
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I will never leave China, unless I am forced to. Because China is mine. I will not leave something that belongs to me in the hands of people I do not trust.
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Behind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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Now many enterprises are made by individuals, so the attitude has started to change.
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There are no outdoor sports as graceful as throwing stones at a dictatorship.
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