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I'm a free man now, except I cannot leave China. You know, I have no desire to travel. I have so many things to do I cannot finish them now.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Cannot
Many
Finish
Things
China
Men
Travel
Except
Leave
Free
Desire
More quotes by Ai Weiwei
Today, the general masses in this society are in this political-social condition that really encourages people to become rich and become a star and be unique.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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If a master, a wise and experienced man, wields a great weapon, that's beautiful. He can serve peace with it. But if someone's emotions are imbalanced, even if he has the best equipment, he will still mean danger. Modern technology requires calm. You shouldn't trust anyone with a car who has no knowledge about vehicles or roads.
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Society becomes very destructive.
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If there's the right condition, I always want to express the concept or ideas in a very independent way.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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I was an illegal alien for many, many years. I couldn't move. If I moved I could not even get a visa back.
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If you just turn to your paper or television each day, there are thousands of stories that are much more shocking than the gallery artworks.
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...photographs are facts, but not necessarily true... The present always surpasses the past, and the future will not care about today.
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Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
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We grew up in a very material-lacking socialist society, but today China is a capitalist society. It's very materialistic. It's full of desire and luxury goods.
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In an environment without public platform nor protection, the individual is the most powerful and most responsible.
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The United States is a melting pot. Like John F. Kennedy said, it's a nation of immigrants. But Donald Trump wants to build a fence that clearly makes the statement: You and I are divided. We're different, and you're dangerous. That kind of thinking stops human, civilized evolution. It's dangerous to create that kind of tension.
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Overturning police cars is a super-intense workout. It’s probably the only sport I enjoy.
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I'm not nostalgic about the old city. I don't enjoy it that much. It was just a city with one emperor and the rest of them just rats or meaningless people.
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I think we cannot have a double standard. We cannot see our art as different from the reality. We cannot use two different sets of judgment.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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As a person, I was born to give out my opinions. By giving out my opinions, I realize who I am. As long as I can communicate, I'm not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn't matter at all.
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I don't belong to a working system. They only select people if you belong to one so you can be controlled.
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