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The media is the message. It carries the full intention and the meaning. Once you change it...it's very disturbing.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Carrie
Message
Intention
Messages
Meaning
Media
Full
Disturbing
Change
Carries
More quotes by Ai Weiwei
If you just turn to your paper or television each day, there are thousands of stories that are much more shocking than the gallery artworks.
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Twitter is the people’s tool, the tool of the ordinary people, people who have no other resources.
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At the moment about 350,000 students return to China from abroad each year - 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me. These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
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If artists cannot speak up for human dignity or rights, then who else will do it?
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As a human being, member of society, you must clearly state your mind. It's a responsibility. It is the way you identify yourself otherwise you don't know who you are and why you are here.
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I don't personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
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When you have strict censorship of the internet, young students cannot receive a full education. Their view of the world is imbalanced. There can be no true discussion of the issues.
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Beijing is constructing a 100,000 m2 modern art museum, yet it will not feature any of my work.
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Behind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
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In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want — not only you, your whole family and all people like you.
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I never had a sense of home.
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I suddenly realized I was getting ten opening notes a day on my mobile phone, more than when I was in New York. But this is China, where nothing is surprising.
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Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
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I think by shattering it we can create a new form, a new way to look at what is valuable — how we decide what is valuable.
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If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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My mother became much older when I came out (ed's note: of detention). She had problems with her hearing and high blood pressure. But they still support me.
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Cities really are mental conditions. Beijing is a nightmare. A constant nightmare.
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I grew up in a desert, which has no kind of imagination.
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We move so fast that memory is something we can only grasp
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