Quote

There are no outdoor sports as graceful as throwing stones at a dictatorship.

Ai Weiwei

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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Graceful
Dictatorship
Throwing
Stones
Sports
Outdoor

More quotes by Ai Weiwei

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I think we cannot have a double standard. We cannot see our art as different from the reality. We cannot use two different sets of judgment.
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Liberty is about our rights to question everything.
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A lot of the time [in the U.S.], I was thinking about how spending time is always questionable or is always the biggest obstacle in my life.
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If a nation cannot face its past, it has no future.
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Democracy, material wealth, and universal education are the soil upon which modernism exists.
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If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.
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You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
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Because Chinese art is booming, it legitimizes this profession.
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New York has given me a lot, but I still don't consider it home.
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Growing up, my family was an enemy of the state. I have experienced more disappointment than joy, much more sad stories or desperate conditions.
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You're still being looked at as somebody who - it's a very complicated issue.
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The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
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Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful. It also makes humanity much more safe. If we see pureness somewhere as something to be desired, the trouble starts.
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A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
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If a master, a wise and experienced man, wields a great weapon, that's beautiful. He can serve peace with it. But if someone's emotions are imbalanced, even if he has the best equipment, he will still mean danger. Modern technology requires calm. You shouldn't trust anyone with a car who has no knowledge about vehicles or roads.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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I don't think [price] reflects if the work is good or bad.A good artist shouldn't be nervous about that.
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I always want to design a frame that’s open to everyone. I don’t see art as a secret code.
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In an environment without public platform nor protection, the individual is the most powerful and most responsible.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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