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This so-called contemporary art is not a form, but a philosophy of society.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Society
Art
Form
Contemporary
Philosophy
Called
More quotes by Ai Weiwei
Beijing is constructing a 100,000 m2 modern art museum, yet it will not feature any of my work.
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Today, we jump into this globalization of the economy and the internet age.
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I came back [to Beijing ] because that's the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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You're still being looked at as somebody who - it's a very complicated issue.
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Man has a tendency to try to give clear reasons to be rational, but often you can see how all those reasons are not convincing and turn out to be a big nonsense.
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Life is much more interesting when you make a little bit of effort.
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If there's the right condition, I always want to express the concept or ideas in a very independent way.
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I'm not nostalgic about the old city. I don't enjoy it that much. It was just a city with one emperor and the rest of them just rats or meaningless people.
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The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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I think by shattering it we can create a new form, a new way to look at what is valuable — how we decide what is valuable.
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
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I can still wake up the next day and feel that there's something that needs to be done, which always amuses me.
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China hasn't only existed for one day. Now, the whole nation has become richer and it's become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
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If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
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I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is OK, to speak out.
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Maybe being powerful means to be fragile.
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I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
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I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
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