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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Stills
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Monsters
Littles
Excitement
Little
Scary
Every
York
Visually
Time
Loved
Intellectually
Like
Bits
Inch
Strong
Monster
More quotes by Ai Weiwei
If a nation cannot face its past, it has no future.
Ai Weiwei
Of course, there [in China] has to be chaos. It has to be crazy, and I don't think there's anything wrong about it except this government, which is really incapable of doing anything meaningful.
Ai Weiwei
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
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I don’t want the next generation to fight the same fight as I did.
Ai Weiwei
You're still being looked at as somebody who - it's a very complicated issue.
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If people are being abused or even killed during an arrest, this is highly disturbing.
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Everyone of us is a potential convict.
Ai Weiwei
Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it's not a product it's an understanding of human nature.
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I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
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Many people are going to use [Beijing National Stadium], which makes it more meaningful. If we don't design it, somebody else has to design it.
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China didn't want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul - which is freedom of expression. Nevertheless, I think the government regrets having Sina Weibo, but they cannot shut it down. That would definitely be suicidal.
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For years, I refused to go to any openings, not even my own.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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The society was so different [in China] - it was a feudalistic society. It didn't come to a point of industrial revolution until twenty years ago.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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I came back [to Beijing ] because that's the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
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There are many cases and layers of racist behavior in the US - from police treatment to the issues of education and job opportunities. In America, however, such cases are being discussed publically.
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