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Twitter is the people’s tool, the tool of the ordinary people, people who have no other resources.
Ai Weiwei
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Ai Weiwei
Age: 67
Born: 1957
Born: May 18
Architect
Consultant
Contemporary Artist
Designer
Film Director
Human Rights Activist
Painter
Photographer
Sculptor
Social Activist
Peking
Wei-wei Ai
Weiwei Ai
Ai Wei Wei
Tools
Resources
Ordinary
People
Twitter
Tool
More quotes by Ai Weiwei
If I really have nothing to do, I just watch my cats, take some photos, and go back to my personal blog.
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Historically, China is not a nation of sportsmen. We traditionally put more emphasis on being close to nature than pushing endlessly to excel. A philosophy that values tranquil contemplation of the landscape cannot easily be adapted to the Olympic slogan of 'higher, stronger, faster.'
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To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling. It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
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To express yourself needs a reason, but expressing yourself is the reason.
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Twitter is most suitable for me. In the Chinese language, 140 characters is a novella.
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Without freedom of speech, there is no modern world, just a barbaric one.
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Because Chinese art is booming, it legitimizes this profession.
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My understanding of Chinese history is limited. So far, I have only scratched its surface I wish I could find out more.
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I came back [to Beijing ] because that's the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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If Shakespeare were alive today, he might be writing on Twitter.
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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
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In the '80s, you couldn't walk in the neighborhood without looking back to see if anyone was following you. You had your key in your hand before you got to your apartment and you'd rush in so you didn't have to stop.
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When I first got into the first-year study after the Cultural Revolution, got into the same school with this group, I wasn't conscious of the so-called Fifth Generation. I didn't like that kind of study condition because there's no real, true education there.
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I don't believe in the so-called Olympic spirit. I speak from personal experience. When China hosted the Games, it failed to include the people. The event was constructed without regard for their joy.
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Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
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The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
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In a society that restricts individual freedoms and violates human rights, anything that calls itself creative or independent is a pretence. It is impossible for a totalitarian society to create anything with passion and imagination.
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Everything is art. Everything is politics.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.
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I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
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