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I never met Publo Picasso. I took pictures at the Festival d'Avignon, but I was too shy to ask to go in his studio. It does not look like me now, but I was very shy, and shy of men also. I think there was a world that frightened me totally.

Agnes Varda

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Agnes Varda
Age: 90 †
Born: 1928
Born: May 30
Died: 2019
Died: March 29
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Agnés Varda
Agnes Varda
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More quotes by Agnes Varda

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I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
Agnes Varda
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The freedom he gave himself to work and change shape and change ideas and work all the time with joy, the joy of painting was in [Publo] Picasso, which I found beautiful.
Agnes Varda
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The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
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I've always been like this - trying to find adventure where it's still in its first élan - the first spring.
Agnes Varda
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I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
Agnes Varda
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I'm not nostalgic. My memories are back here in my mind.
Agnes Varda
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You have to invent life.
Agnes Varda
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I'm trying to capture something more fragile than a regular story. I love what people bring me.
Agnes Varda
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I didn't go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
Agnes Varda
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I know people could tell incredible stories. People have been in concentration camps, or women being raped, or a man going to war and not recovering from it. People have been robbed and beaten. A lot of people have had strong events in their life, which I didn't.
Agnes Varda
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn't have dared start. I started very - not innocent, but naïve in a way.
Agnes Varda
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, Le jeu et les moi. It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradictio
Agnes Varda
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
Agnes Varda
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I hated myself totally white. So now I cheat. It's my white hair, and I put color there. My grandson says I'm punk.
Agnes Varda
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I see all these students, and I admire them - they're trying to learn something, they go to school, they do film school, they go on shoots, they help. I'm sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was - that's the way I was - autodidact.
Agnes Varda
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It's just going through my body of work as something I can pick from.
Agnes Varda
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My company is called Ciné-Tamaris, which is rosemary. That's my speed. Hot water and herb.
Agnes Varda
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I think we need to have a nest of something which is family.
Agnes Varda
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
Agnes Varda
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People like my films. They understand me through my films it's like a connection that has been established between all my work and myself and the audience and the viewer.
Agnes Varda