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The first exhibition [Publo Picasso] was organized by the communist party - because of his position during the war and all that.

Agnes Varda

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Agnes Varda
Age: 90 †
Born: 1928
Born: May 30
Died: 2019
Died: March 29
Activist
Actor
Artist
Cinematographer
Director
Editor
Film Director
Film Editor
Film Producer
Pedagogue
Photographer
Screenwriter
Teacher
Elsene
Agnés Varda
Agnes Varda
Organized
Position
Party
War
Firsts
Exhibition
First
Picasso
Exhibitions
Communist

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I think we need to have a nest of something which is family.
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I cannot say something different to one person and then another.
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I just didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others maybe it would have stopped me.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I don't believe in inspiration that arrives like a bolt from the blue ... It seems to me that the more motivated I am by what I film, the more objectively I film.
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In my films I always wanted to make people see deeply. I don't want to show things, but to give people the desire to see.
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I hated myself totally white. So now I cheat. It's my white hair, and I put color there. My grandson says I'm punk.
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I think people should be different. I love people who don't go by the rule that you have to be careful because you're old, you have to do this and that, you have to eat this and that.
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I think I did fifteen long features and fifteen documentaries, or something like this, which is very little when you think of people making a film every year. Some people have done fifty or sixty films.
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I've changed my approach to people and to filming because of the new equipment, which is important.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn't need to have muscles.
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I don't watch my own films. There is little time I'd rather see another film.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I'm alone, and I can just use it when I want. I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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People like my films. They understand me through my films it's like a connection that has been established between all my work and myself and the audience and the viewer.
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The story of a couple is always very fragile, especially over more than thirty years. People know it's not easy, and even though you have strong feeling and desire and endless love, it doesn't always happen.
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I had a world. I don't think I had a career. I made films.
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To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I didn't go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn't have dared start. I started very - not innocent, but naïve in a way.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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