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The first exhibition [Publo Picasso] was organized by the communist party - because of his position during the war and all that.

Agnes Varda

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Agnes Varda
Age: 90 †
Born: 1928
Born: May 30
Died: 2019
Died: March 29
Activist
Actor
Artist
Cinematographer
Director
Editor
Film Director
Film Editor
Film Producer
Pedagogue
Photographer
Screenwriter
Teacher
Elsene
Agnés Varda
Agnes Varda
Position
Party
War
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Exhibition
First
Picasso
Exhibitions
Communist
Organized

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Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, Oh my god, what a bad job, I can do better.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.
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I should say nothing! I'm through with it! I hate to repeat myself all the time.
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I quit seeing some people who were saying bad things about women I don't even want to meet them or see them.
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The freedom he gave himself to work and change shape and change ideas and work all the time with joy, the joy of painting was in [Publo] Picasso, which I found beautiful.
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I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo - and I kept it all my life!
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If you know nothing, it could be like an enemy in a way. I think that's the way I felt when I was young.
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I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
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To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.
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I call [ordinary people] real people, because they have in themselves an incredible treasure - stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
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I think I did fifteen long features and fifteen documentaries, or something like this, which is very little when you think of people making a film every year. Some people have done fifty or sixty films.
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I've changed my approach to people and to filming because of the new equipment, which is important.
Agnes Varda
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Humor is such a strong weapon, such a strong answer.
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Hands are the tool of the painter, the artist.
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Sometimes I want to work with a DP, sometimes I want to work myself. I go to 35mm, 16mm, it's all the same, but it depends on what you want to tell and what are the tools you need.
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Society is so slow. A feminist is a bore.
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This is all you need in life: a computer, a camera, and a cat.
Agnes Varda