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I think we need to have a nest of something which is family.

Agnes Varda

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Agnes Varda
Age: 90 †
Born: 1928
Born: May 30
Died: 2019
Died: March 29
Activist
Actor
Artist
Cinematographer
Director
Editor
Film Director
Film Editor
Film Producer
Pedagogue
Photographer
Screenwriter
Teacher
Elsene
Agnés Varda
Agnes Varda
Nests
Family
Need
Needs
Something
Think
Thinking
Nest

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My company is called Ciné-Tamaris, which is rosemary. That's my speed. Hot water and herb.
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Some people meet each other again only when I'm there!
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I'd been educated stupidly, I knew nothing about nothing, that's part of being shy.
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This is all you need in life: a computer, a camera, and a cat.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo - and I kept it all my life!
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Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, Oh my god, what a bad job, I can do better.
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If I was tall and blonde, I might have been a dancer or singer.
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To change history is very slow. The first two times I came to the States - black people didn't have the right to vote.
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It's a way of living, sharing things with people who work with me, and they seem to enjoy it.
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[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I never met Publo Picasso. I took pictures at the Festival d'Avignon, but I was too shy to ask to go in his studio. It does not look like me now, but I was very shy, and shy of men also. I think there was a world that frightened me totally.
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I call [ordinary people] real people, because they have in themselves an incredible treasure - stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
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Humor is such a strong weapon, such a strong answer.
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It's a way of living, cinema. And I see my family, I do this and that, I travel. It's a long process to let it happen.
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I wanted to speak strongly about feminism in my life, since it's been a struggle.
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I'm interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
Agnes Varda