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I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.

Agnes Varda

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Agnes Varda
Age: 90 †
Born: 1928
Born: May 30
Died: 2019
Died: March 29
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Agnés Varda
Agnes Varda
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More quotes by Agnes Varda

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I've changed my approach to people and to filming because of the new equipment, which is important.
Agnes Varda
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The freedom he gave himself to work and change shape and change ideas and work all the time with joy, the joy of painting was in [Publo] Picasso, which I found beautiful.
Agnes Varda
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I'm not nostalgic. My memories are back here in my mind.
Agnes Varda
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My company is called Ciné-Tamaris, which is rosemary. That's my speed. Hot water and herb.
Agnes Varda
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The first exhibition [Publo Picasso] was organized by the communist party - because of his position during the war and all that.
Agnes Varda
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In my films I always wanted to make people see deeply. I don't want to show things, but to give people the desire to see.
Agnes Varda
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I had a very good time when I did The Gleaners - even though the people are poor, and I was suffering to see the conditions, and plus they are not such lovely hearts. They are tough to each other, they beat each other, they are rude and they are violent and they drink. They're not sweethearts, you know, but some were so interesting.
Agnes Varda
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
Agnes Varda
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I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
Agnes Varda
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I'm still fighting. I don't know how much longer, but I'm still fighting a struggle, which is to make cinema alive and not just make another film.
Agnes Varda
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I thought, If I'm an ancestor and grandmother when I'm twenty-five, I should go peacefully to the real time when I'm an ancestor and a grandmother.
Agnes Varda
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I know people could tell incredible stories. People have been in concentration camps, or women being raped, or a man going to war and not recovering from it. People have been robbed and beaten. A lot of people have had strong events in their life, which I didn't.
Agnes Varda
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At that time, when I started, in the '50s, cinema was very classical in its aims.
Agnes Varda
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I see all these students, and I admire them - they're trying to learn something, they go to school, they do film school, they go on shoots, they help. I'm sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was - that's the way I was - autodidact.
Agnes Varda
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I'm missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
Agnes Varda
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It's a way of living, cinema. And I see my family, I do this and that, I travel. It's a long process to let it happen.
Agnes Varda
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I think we need to have a nest of something which is family.
Agnes Varda
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It's interesting work for me to tell my life, as a possibility for other people to relate it to themselves - not so much to learn about me.
Agnes Varda
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I'm trying to capture something more fragile than a regular story. I love what people bring me.
Agnes Varda
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I was eighteen, this was back in '46, so we also had these very frightening images of soldiers in the streets of Paris. So the effect of war, plus my shyness, plus my lack of education - I was afraid of men, really. It changes later, but it took me a certain time to adjust.
Agnes Varda