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Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.

Agnes de Mille

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Agnes de Mille
Age: 88 †
Born: 1905
Born: September 18
Died: 1993
Died: October 6
Ballet Dancer
Ballet Master
Choreographer
Dancer
Theatrical Director
Harlem
New York
Higher
Kicked
Longer
Substitutes
Passion
Ballet
Poor
Balanced
Women
Dancer
Many
Faster
Turned
Pointe
Dance
Choreography

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The creative urge is the demon that will not accept anything second rate.
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I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night's sleep the second kills.
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I learned three important things in college-to use a library, to memorize quickly and visually, to drop asleep at any time given a horizontal surface and fifteen minutes. What I could not learn was to think creatively on schedule.
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No white man uses his feet the way an Indian does. He talks to the earth.
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Modern dancers give a sinister portent about our times.
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The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary.
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Who am I?, the artist asks. And he devotes his whole life to finding out.
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To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.
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Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything, so that we will miss nothing. Partly it's greed, but mainly its curiosity. We just want to experience it. And we do.
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Dancers aren't made of their technique, but their passion.
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Dance constitutes a true recapturing of... freedom and childish play.
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No trumpets sound when the important decisions of our life are made. Destiny is made known silently.
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Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little. The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.
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One of the good things about my having some recognition is that I can do something for the people I think ought to have more and correct some of the matters fate fails to take care of.
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Modern dancers give a sinister portent about our times. The dancers don't even look at one another. They are just a lot of isolated individuals jiggling in a kind of self-hypnosis and dancing with others only to remind themselves that we are not completely alone in this world.
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Theater people are always pining and agonizing because they're afraid that they'll be forgotten. And in America they're quite right. They will be.
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The truest expression of a people is in its dances and its music. Bodies never lie.
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Then I did the simplest thing in the world. I leaned down... and kissed him. And the world cracked open.
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My heroines are part of me and my heroes are part of what I'd like to know.
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The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
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