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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.

Adrienne Rich

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Adrienne Rich
Age: 82 †
Born: 1929
Born: May 16
Died: 2012
Died: March 27
Essayist
Feminist
Peace Activist
Poet
Writer
Baltimore
Maryland
Adrienne Cecile Rich
Adrienne Cécile Rich
Adrienne Riche
Littles
Believer
Demoralized
Little
Gay
Gays
Many
Profession
Persecuted
Including
Believers
Poetry
Hierarchy
Talking
Religions
Use
Organized
Priestly
Women
Uncomfortable
Hierarchies

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Heterosexuality has been forcibly and subliminally imposed on women. Yet everywhere women have resisted it, often at the cost of physical torture, imprisonment, psychosurgery, social ostracism, and extreme poverty.
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The beauty of darkness is how it lets you see.
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It is important to possess a short-term pessimism and a long-term optimism.
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... if, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens--if we are unaware that women even have a history--we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.
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If we had time and no money, living by our wits, what story would you tell?
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
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False history gets made all day, any day, the truth of the new is never on the news.
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from Transcendental Etude
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No woman is really an insider in the institutions fathered by masculine consciousness.
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Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you it means learning to respect and use your own brains and instincts hence, grappling with hard work.
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The belief that established science and scholarship--which have so relentlessly excluded women from their making--are objectiveand value-free and that feminist studies are unscholarly, biased, and ideological dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological there is no neutrality in
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There is no 'the truth','a truth' - truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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When one woman tells her truth, it makes a space for other women to tell their truths.
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No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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A thinking woman sleeps with monsters.
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One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else, what it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.
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I came to explore the wreck.
Adrienne Rich