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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.

Adrienne Rich

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Adrienne Rich
Age: 82 †
Born: 1929
Born: May 16
Died: 2012
Died: March 27
Essayist
Feminist
Peace Activist
Poet
Writer
Baltimore
Maryland
Adrienne Cecile Rich
Adrienne Cécile Rich
Adrienne Riche
Social
Voices
Tributaries
Together
Poetry
Rents
Many
Late
Discerned
Different
Coming
Convergence
Make
Century
Twentieth
American
Cultures
Voice
Poetic
Culture
Fabric

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Life on the planet is born of woman.
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Weather abroad and weather in the heart alike come on Regardless of prediction.
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The more I live, the more I think, two people together is a miracle.
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Every poem breaks a silence that had to be overcome.
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Not biology, but ignorance of ourselves, has been the key to our powerlessness
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
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As a society in turmoil, we are going to see more, and more various, attempts to simulate order through repression and art is a historical target for such efforts.
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Any woman's death diminishes me.
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women's movement is saying that we have come to an edge of history when men - insofar as they are embodiments of the patriarchal idea - have become dangerous to children and other living things, themselves included
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These scars bear witness but whether to repair or to destruction I no longer know.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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Our personalities seem dangerously to blur and overlap with our mother's and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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Each feminist work has tended to be received as if it emerged from nowhere as if each one of us had lived, thought, and worked without any historical past or contextual present. This is one of the ways in which women's work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
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A life I didn't choose chose me: even my tools are the wrong ones for what I have to do.
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... passion for survival is the great theme of women's poetry.
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
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Women's art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide...?
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