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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.

Adrienne Rich

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Adrienne Rich
Age: 82 †
Born: 1929
Born: May 16
Died: 2012
Died: March 27
Essayist
Feminist
Peace Activist
Poet
Writer
Baltimore
Maryland
Adrienne Cecile Rich
Adrienne Cécile Rich
Adrienne Riche
Road
Nineteen
South
Route
Dead
Bend
Vixen
Five
Surviving
Vixens
Long
Routes
Herding
Twilight
Silvery
Sixty
Omen
Mets
Cubs

More quotes by Adrienne Rich

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I am suspicious - first of all, in myself - of adopted mysticisms of glib spirituality, above all of white people's tendency to ... vampirize American Indian, or African, or Asian, or other 'exotic' ways of understanding.
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Change is not a threat to your life, but an invitation to live.
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment - not just in poetry - into the personal. A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women's movement, for instance, becoming support-groups or therapy groups.
Adrienne Rich
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Go back so far there is another language go back far enough the language is no longer personal.
Adrienne Rich
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Reality, the oppressor's tongue.
Adrienne Rich
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Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else, made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language - this will become, not merely unspoken, but unspeakable.
Adrienne Rich
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Life on the planet is born of woman.
Adrienne Rich
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I don't trust them but I'm learning to use them.
Adrienne Rich
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
Adrienne Rich
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In the interstices of language lie powerful secrets of the culture.
Adrienne Rich
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I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university.
Adrienne Rich
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But can you imagine how some of them were envying you your freedom to work, to think, to travel, to enter a room as yourself, not as some child’s mother or some man’s wife?…we have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
Adrienne Rich
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother. Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
Adrienne Rich
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There must be those among whom we can sit down and weep and still be counted as warriors.
Adrienne Rich
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.
Adrienne Rich
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Each feminist work has tended to be received as if it emerged from nowhere as if each one of us had lived, thought, and worked without any historical past or contextual present. This is one of the ways in which women's work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
Adrienne Rich
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The moment when a feeling enters the body/ is political. This touch is political
Adrienne Rich
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
Adrienne Rich
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
Adrienne Rich
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... how have I used rivers, how have I used wars to escape writing of the worst thing of all-- not the crimes of other, not even our own death, but the failure to want our freedom passionately enough so that blighted elms, sick rivers, massacres would seem mere emblems of that desecration of ourselves?
Adrienne Rich