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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.

Adrienne Rich

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Adrienne Rich
Age: 82 †
Born: 1929
Born: May 16
Died: 2012
Died: March 27
Essayist
Feminist
Peace Activist
Poet
Writer
Baltimore
Maryland
Adrienne Cecile Rich
Adrienne Cécile Rich
Adrienne Riche
Dead
Bend
Vixen
Five
Surviving
Vixens
Long
Routes
Herding
Twilight
Silvery
Sixty
Omen
Mets
Cubs
Road
Nineteen
South
Route

More quotes by Adrienne Rich

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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.
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What we see, we see and seeing is changing
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
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If you are trying to transform a brutalized society into one where people can live in dignity and hope, you begin with the empowering of the most powerless. You build from the ground up.
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But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
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Lying is done with words and also with silence.
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The moment of change is the only poem.
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No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
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We who were loved will never unlive that crippling fever.
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
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False history gets made all day, any day, the truth of the new is never on the news False history gets written every day ... the lesbian archaeologist watches herself sifting her own life out from the shards she's piecing, asking the clay all questions but her own.
Adrienne Rich
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We assume that politicians are without honor. We read their statements trying to crack the code. The scandals of their politics: not so much that men in high places lie, only that they do so with such indifference, so endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.
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Each feminist work has tended to be received as if it emerged from nowhere as if each one of us had lived, thought, and worked without any historical past or contextual present. This is one of the ways in which women's work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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We must use what we have to invent what we desire.
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To work and suffer is to be at home. All else is scenery.
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Re-vision -- the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction - is for women more than a chapter in cultural history: it is an act of survival.
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These scars bear witness but whether to repair or to destruction I no longer know.
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We might possess every technological resource... but if our language is inadequate, our vision remains formless, our thinking and feeling are still running in the old cycles, our process may be 'revolutionary' but not transformative.
Adrienne Rich