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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.

Adrienne Rich

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Adrienne Rich
Age: 82 †
Born: 1929
Born: May 16
Died: 2012
Died: March 27
Essayist
Feminist
Peace Activist
Poet
Writer
Baltimore
Maryland
Adrienne Cecile Rich
Adrienne Cécile Rich
Adrienne Riche
Sixty
Omen
Mets
Cubs
Road
Nineteen
South
Route
Dead
Bend
Vixen
Five
Surviving
Vixens
Long
Routes
Herding
Twilight
Silvery

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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
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Our personalities seem dangerously to blur and overlap with our mother's and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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When a woman tells the truth she is creating the possibility for more truth around her.
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Poetry is the liquid voice that can wear through stone.
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and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
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What kind of beast would turn its life into words?
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Poems are like dreams: in them you put what you don't know you know.
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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I am a citizen of a country that has just undergone a thieved election, a country deeply and dangerously divided between rich and poor, but also between rich and middle class. What I believe in and what my government represents are not the same thing.
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In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it's the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
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I am an instrument in the shape/ of a woman trying to translate pulsations/ into images for the relief of the body/ and the reconstruction of the mind.
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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders ... then I began to wonder
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For now, poetry has the capacity - in its own ways and by its own means - to remind us of something we are forbidden to see.
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Re-vision -- the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction - is for women more than a chapter in cultural history: it is an act of survival.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.
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Only to have a grief equal to all these tears!
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The moment of change is the only poem.
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No woman is really an insider in the institutions fathered by masculine consciousness.
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
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