Quote

When I talk to people who have teenagers now, their rooms are filled with screens. There are their phones and their DVD players and TVs and all these things to produce distractions for them, and I think it would be hard to find the time to create something. I think that's really changing something about adolescence.

Adrian Tomine

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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Think
Talk
Phones
Thinking
Find
Players
People
Hard
Changing
Distractions
Something
Filled
Teenagers
Really
Produce
Adolescence
Things
Rooms
Distraction
Would
Player
Screens
Time
Create
Teenager

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I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
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I think when I finally got it in my head that I was going to do the story, I wanted to avoid doing what I thought people wanted me to do.
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I think a lot of the criticism had to do with disliking the characters - which, again, I take as something of a compliment.
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One of the by-products of being allowed to start my professional career prematurely is that the evolution of my work is really evident.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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Especially for people of our generation, who really celebrated certain attitudes - the outsider, the loner - it can have a real impact on the art when they realize, I have friends, I'm married, or I have kids. That's certainly happened to me.
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The experience of reading a comic should not be the time it takes to turn each page.
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Maybe you're not even in a position to really judge how good your kid is at that endeavor.
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It's important to make a distinction between becoming more precise and becoming better.
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I get the impression from some people that unless they get direct access to characters' thoughts and realizations, either through thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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I think it's harder for each generation. Even I just feel completely separate from teenagers today who have access to the Internet. And I'm amazed that this interest in video games has never gone away. It just keeps growing.
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I do think it's getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable. The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world's putting out at you.
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It's cold water in the face to realize you're not nearly as special and as unusual as you might have thought when you were an alienated teenager.
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I wanted all the responsibility to rest on the content of the story. I tried to make the visual style almost invisible.
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I think, to its credit, this is one of the last forms of popular entertainment that I don't sense to be discriminatory in any way. I think there's this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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If something's a little weird, it's Kafkaesque.
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There are some people who may not like precision in their art. They may like it to be grittier and more gestural, more of a direct expression in the way that a painter would put his strokes on canvas.
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I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
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I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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