Quote

I think it's harder for each generation. Even I just feel completely separate from teenagers today who have access to the Internet. And I'm amazed that this interest in video games has never gone away. It just keeps growing.

Adrian Tomine

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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Away
Harder
Teenagers
Today
Completely
Amazed
Feel
Internet
Teenager
Feels
Generations
Separate
Even
Growing
Video
Never
Games
Keeps
Think
Gone
Access
Thinking
Interest
Generation

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For me, as much about being a parent as it is about being a child.
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I think a lot of the criticism had to do with disliking the characters - which, again, I take as something of a compliment.
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I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
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I wanted to try to create characters that happen to be Asian but who are pretty different from those we generally see in our culture, in our commercial culture.
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I think there's a lot of evolution that's happened in intangible ways, in terms of how I think about the work or how I plan it out.
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I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.
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Especially for people of our generation, who really celebrated certain attitudes - the outsider, the loner - it can have a real impact on the art when they realize, I have friends, I'm married, or I have kids. That's certainly happened to me.
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I'm getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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If something's a little weird, it's Kafkaesque.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, Don't think of me as an Asian cartoonist. Just think of me as a cartoonist.
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One of the by-products of being allowed to start my professional career prematurely is that the evolution of my work is really evident.
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The experience of reading a comic should not be the time it takes to turn each page.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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It's psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you're trying to depict. You start to feel very weighted down sometimes.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic there's been a lot of progress recently. And I shouldn't make a definitive statement about this, but my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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When people see me struggling on paper, I think it invites an almost collaborative relationship with the outside world, and that includes readers and other artists.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that. There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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A lot of the kinship that people notice is not coincidental. I was very impressionable and trying to find my role models when I was twelve or thirteen.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto, whereas the graphic novel is now being held up as something to aspire to and as something that's respectable for adults to read.
Adrian Tomine