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Especially for people of our generation, who really celebrated certain attitudes - the outsider, the loner - it can have a real impact on the art when they realize, I have friends, I'm married, or I have kids. That's certainly happened to me.

Adrian Tomine

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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Certain
Especially
Outsider
Real
Realize
Attitudes
Really
Attitude
Outsiders
People
Realizing
Impact
Happened
Generation
Friends
Certainly
Art
Married
Loner
Kids
Generations
Celebrated

More quotes by Adrian Tomine

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I was very aware of the fact that there are a lot of comics out there that I love, because I've grown up my whole life reading comics and I know every little nuance of the language and all the implications.
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It's cold water in the face to realize you're not nearly as special and as unusual as you might have thought when you were an alienated teenager.
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I think there's a lot of evolution that's happened in intangible ways, in terms of how I think about the work or how I plan it out.
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There are some people who may not like precision in their art. They may like it to be grittier and more gestural, more of a direct expression in the way that a painter would put his strokes on canvas.
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I guess there's just a part of me that's not very enthusiastic about finding myself ten years from now halfway through a story that may or may not be any good.
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I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
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The experience of reading a comic should not be the time it takes to turn each page.
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I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
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It's important to make a distinction between becoming more precise and becoming better.
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I think a lot of the bells and whistles that become available to you would be impossible to resist for some people, so it's just never going to be a real stand-in version of your comic. People will have to take advantage of the ability to have sound, or zoom in and out, whatever it is.
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You start to get nervous when the value of a comic book or graphic novel is relative to the achievements of some other medium.
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I started publishing my comic while I was still living with my parents.
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I wanted it to be as readable as possible. I had the ambition of reaching a broader audience.
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I'm getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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I think a lot of the criticism had to do with disliking the characters - which, again, I take as something of a compliment.
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I think, to its credit, this is one of the last forms of popular entertainment that I don't sense to be discriminatory in any way. I think there's this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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When I talk to people who have teenagers now, their rooms are filled with screens. There are their phones and their DVD players and TVs and all these things to produce distractions for them, and I think it would be hard to find the time to create something. I think that's really changing something about adolescence.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I think it's harder for each generation. Even I just feel completely separate from teenagers today who have access to the Internet. And I'm amazed that this interest in video games has never gone away. It just keeps growing.
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One of the by-products of being allowed to start my professional career prematurely is that the evolution of my work is really evident.
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