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If something's a little weird, it's Kafkaesque.
Adrian Tomine
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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Something
Weird
Littles
Little
More quotes by Adrian Tomine
I'm always pointing things out to native New Yorkers that I think are weird about this place and their culture and all that. But I feel like my friends and family from California feel like I've totally become a New Yorker.
Adrian Tomine
I've always been really impressed with some of the longer graphic novels and thought it would be really amazing if one day I could try something like that.
Adrian Tomine
I set myself up for a lot of trouble by wanting to tell a story that is fairly earnest and emotional and expressive, but to do it in the most subtle, realistic way.
Adrian Tomine
I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.
Adrian Tomine
The experience of reading a comic should not be the time it takes to turn each page.
Adrian Tomine
I never go home and take out those business cards and go to those websites. But if there was a mini-comic here in my hand, I'd read it while I ate my lunch. I'm also probably one of the few remaining holdouts who hasn't consented to making the e-book versions of all my work, which is annoying to some of my publishers.
Adrian Tomine
For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
Adrian Tomine
You start to get nervous when the value of a comic book or graphic novel is relative to the achievements of some other medium.
Adrian Tomine
I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that. There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
Adrian Tomine
There are some people who may not like precision in their art. They may like it to be grittier and more gestural, more of a direct expression in the way that a painter would put his strokes on canvas.
Adrian Tomine
It's psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you're trying to depict. You start to feel very weighted down sometimes.
Adrian Tomine
I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
Adrian Tomine
I think there's a lot of evolution that's happened in intangible ways, in terms of how I think about the work or how I plan it out.
Adrian Tomine
Underground and alternative comics existed in a vacuum for years, where money really wasn't an issue. No one would get into doing a black-and-white comic because they thought it might be a route to riches.
Adrian Tomine
I wanted it to be as readable as possible. I had the ambition of reaching a broader audience.
Adrian Tomine
I wanted all the responsibility to rest on the content of the story. I tried to make the visual style almost invisible.
Adrian Tomine
I think when I finally got it in my head that I was going to do the story, I wanted to avoid doing what I thought people wanted me to do.
Adrian Tomine
I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
Adrian Tomine
There were certainly some people who wanted me to do a feel-good story that affirmed a lot of very commonly held beliefs.
Adrian Tomine
A lot of the kinship that people notice is not coincidental. I was very impressionable and trying to find my role models when I was twelve or thirteen.
Adrian Tomine