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You start to get nervous when the value of a comic book or graphic novel is relative to the achievements of some other medium.

Adrian Tomine

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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Values
Medium
Book
Mediums
Comic
Nervous
Achievement
Value
Graphic
Novel
Achievements
Start
Relative

More quotes by Adrian Tomine

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I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
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It's important to make a distinction between becoming more precise and becoming better.
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If something's a little weird, it's Kafkaesque.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that. There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
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I wanted all the responsibility to rest on the content of the story. I tried to make the visual style almost invisible.
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I think, to its credit, this is one of the last forms of popular entertainment that I don't sense to be discriminatory in any way. I think there's this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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I do think it's getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable. The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world's putting out at you.
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I set myself up for a lot of trouble by wanting to tell a story that is fairly earnest and emotional and expressive, but to do it in the most subtle, realistic way.
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Maybe you're not even in a position to really judge how good your kid is at that endeavor.
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I never go home and take out those business cards and go to those websites. But if there was a mini-comic here in my hand, I'd read it while I ate my lunch. I'm also probably one of the few remaining holdouts who hasn't consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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And also, as a consumer now, it's weird that when I used to go to a book signing I would leave with a stack of pamphlets people had made to show off their work, and now I just leave with business cards where people have the URL to their websites.
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I've always been really impressed with some of the longer graphic novels and thought it would be really amazing if one day I could try something like that.
Adrian Tomine
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I think there's a lot of evolution that's happened in intangible ways, in terms of how I think about the work or how I plan it out.
Adrian Tomine
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The experience of reading a comic should not be the time it takes to turn each page.
Adrian Tomine
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I get the impression from some people that unless they get direct access to characters' thoughts and realizations, either through thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
Adrian Tomine
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I get nervous about the effect that the high speed of everything will have on creativity. It's already sad for me to see that a lot of young aspiring cartoonists are putting stuff on the web, doing animation on the computer rather than making zines or mini-comics, which seem to be going the way of the dinosaur.
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I think when I finally got it in my head that I was going to do the story, I wanted to avoid doing what I thought people wanted me to do.
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I think a lot of the bells and whistles that become available to you would be impossible to resist for some people, so it's just never going to be a real stand-in version of your comic. People will have to take advantage of the ability to have sound, or zoom in and out, whatever it is.
Adrian Tomine