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It's psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you're trying to depict. You start to feel very weighted down sometimes.

Adrian Tomine

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Adrian Tomine
Age: 50
Born: 1974
Born: May 31
Cartoonist
Comics Artist
Illustrator
Novelist
Sacramento
California
Feel
Faster
Sometimes
Weird
Feels
Aware
Real
Start
Trying
Fact
Weighted
Much
Moving
Depict
Time
Experience
Psychologically
Life
Facts
Fictional

More quotes by Adrian Tomine

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I wanted it to be as readable as possible. I had the ambition of reaching a broader audience.
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Maybe you're not even in a position to really judge how good your kid is at that endeavor.
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A lot of the kinship that people notice is not coincidental. I was very impressionable and trying to find my role models when I was twelve or thirteen.
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I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
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If something's a little weird, it's Kafkaesque.
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I think there's a lot of evolution that's happened in intangible ways, in terms of how I think about the work or how I plan it out.
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I think, to its credit, this is one of the last forms of popular entertainment that I don't sense to be discriminatory in any way. I think there's this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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I've always been really impressed with some of the longer graphic novels and thought it would be really amazing if one day I could try something like that.
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There are some people who may not like precision in their art. They may like it to be grittier and more gestural, more of a direct expression in the way that a painter would put his strokes on canvas.
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For me, as much about being a parent as it is about being a child.
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I get nervous about the effect that the high speed of everything will have on creativity. It's already sad for me to see that a lot of young aspiring cartoonists are putting stuff on the web, doing animation on the computer rather than making zines or mini-comics, which seem to be going the way of the dinosaur.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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Underground and alternative comics existed in a vacuum for years, where money really wasn't an issue. No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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I guess there's just a part of me that's not very enthusiastic about finding myself ten years from now halfway through a story that may or may not be any good.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I'm getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto, whereas the graphic novel is now being held up as something to aspire to and as something that's respectable for adults to read.
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I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, Don't think of me as an Asian cartoonist. Just think of me as a cartoonist.
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I think most cartoonists are solitary, lonely kids who use their work as a way to try to connect with the world. If I had any other skills that were more performative - if I could have been a musician or an actor - I'm sure I would have pursued that instead in order to get that instant feedback and to hear applause.
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It's cold water in the face to realize you're not nearly as special and as unusual as you might have thought when you were an alienated teenager.
Adrian Tomine