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I will never lose anything that an audience will miss.I turned things that were scripted as effects into in-camera stuff, which is sexier.

Adam Shankman

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Adam Shankman
Age: 59
Born: 1964
Born: November 27
Actor
Choreographer
Dancer
Film Actor
Film Director
Film Producer
Television Director
LA
California
Adam Michael Shankman
Never
Missing
Effects
Lose
Scripted
Loses
Sexier
Audience
Camera
Stuff
Cameras
Anything
Miss
Things
Turned

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Dancing and music were my first love. I was happiest at being a chorus boy.
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Mia Michaels is to my mind one of the most interesting choreographers alive right now and my colleague and my friend from So You Think (You Can Dance).
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There is no one who likes a challenge more than Tom Cruise. Believe me, there was never any discussion of lip syncing or another voice or anything like that, because if the guy's going to hang out on the top of the Burj, he's not going to let anybody do his singing for him.
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I grew up in Brentwood, but I live now in Los Feliz. I grew up on the beach, now I live under the Hollywood sign.
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When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die.
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Mary J. Blige is the Queen Latifah character. Her voice in this movie [Rock of ages] is, she just gives it this incredible warmth, and she's just this person who blows out of the screen. She's just incredible.
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There was a lot of stuff [in Rock of Ages] that had effects in it and I thought it was too smooth. I thought it would be sexier if it were in-camera cuts. So I did that.
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I feel like a lot of my past career was going to film school, making a lot of different kinds of movies. I made a bunch of comedies, I made one drama and I made a couple musicals.
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I was a choreographer in the '80s and I was doing these videos. I did an Extreme video, which was really weird having them here. I did Get the Funk Out.
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Reality also is that there are a lot of gaps, there are a lot of business in between the iconic things.
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For me, there was never an end game for becoming a director.
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I'm living at a very intense discomfort level because my career has been predicated on safety.
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I've always sort of marveled at our ability to chat and match, because of, I come, honestly I think of myself of as a little bit of hack, and think like that, and I think of her [Mia Michaels] as an artist.
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The discovery of dance has changed my life in unimaginable ways.
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When the opportunity to choreograph came up, it was nothing more in my head but an opportunity. Then it suddenly became a career very quickly.
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People love seeing people trying to change stuff.
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You are the architect of your own loneliness.
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I grew up looking at the Sunset Strip, literally. The things that I remember are the Rainbow Room, the Roxy, the Bizarries, Tower, I grew up my whole life going there, Filthy McNasty's and I said, I need these things and now fill it in with other iconic buildings.
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I actually had less time and the exact same budget on Hairspray, which was few years ago and this is a much bigger movie [then Rock of Ages]. That's the way studios do it now.
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I'm addicted to directing!
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