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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
People
Schedules
Answer
Asked
Strange
Answers
Process
Even
Like
Schedule

More quotes by Adam Rapp

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I began stealing a lot of ideas from other directors I had worked with.
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I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.
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When I kicked in the first TV – a nineteen-inch Magnavox with wicker speaker panels – it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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It's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
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What I've learned in the last few years is that I am merely a storyteller.
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We only have so much time.... Time will kill you – it really will.
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You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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A typical day for me is I'm writing when I'm not directing.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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You can always count on the New York Times to cut your legs off.
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I think I'm a little more daunted by when the machinery of the play is really huge.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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