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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Come
Result
Work
Already
Really
Results
Lying
Actors
Bigs
Process
Illusive
Find
Auditioning

More quotes by Adam Rapp

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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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Fifteen years ago I killed my sister.
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I don't mind him not talking so much, because you can hear his voice in your heart the same way you can hear a song in your head even if there isn't a radio playing the same way you can hear those blackbirds flying when they're not in the sky
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I began stealing a lot of ideas from other directors I had worked with.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.
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I think I'm a little more daunted by when the machinery of the play is really huge.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
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You have to escape to survive, as you must survive to escape.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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