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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
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Joliet
Illinois
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More quotes by Adam Rapp

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I've never really felt that I've had the right hair cut, or had the right clothes.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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When I kicked in the first TV – a nineteen-inch Magnavox with wicker speaker panels – it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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What I've learned in the last few years is that I am merely a storyteller.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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A typical day for me is I'm writing when I'm not directing.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I think I'm a little more daunted by when the machinery of the play is really huge.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I began stealing a lot of ideas from other directors I had worked with.
Adam Rapp