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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Feels
Scenes
Confident
Scene
Couple
Room
Rooms
Actors
Feel
Behaving

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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
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Whenever I've been in rehearsals, it's really fun, there's always laughing.
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I don't mind him not talking so much, because you can hear his voice in your heart the same way you can hear a song in your head even if there isn't a radio playing the same way you can hear those blackbirds flying when they're not in the sky
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Fifteen years ago I killed my sister.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows but I feel like a New Yorker now, I've lived here for sixteen years.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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You can always count on the New York Times to cut your legs off.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I began stealing a lot of ideas from other directors I had worked with.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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