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I think I'm a little more daunted by when the machinery of the play is really huge.
Adam Rapp
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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Littles
Little
Play
Really
Think
Thinking
Daunted
Machinery
Huge
More quotes by Adam Rapp
You have to escape to survive, as you must survive to escape.
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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I just love working with actors, and I love working with writers, working with designers.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows but I feel like a New Yorker now, I've lived here for sixteen years.
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Whenever I've been in rehearsals, it's really fun, there's always laughing.
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It's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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I began stealing a lot of ideas from other directors I had worked with.
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When I kicked in the first TV a nineteen-inch Magnavox with wicker speaker panels it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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We only have so much time.... Time will kill you it really will.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.
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Man, that's the only kind of book I like one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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